Library of Social Science presents
Between Fear and Freedom: Cultural Representations of the Cold War
Cambridge Scholars Publishing
Between Fear and Freedom: Cultural Representations of the Cold War
Body Politic Author: Kathleen Starck
Pages: 230
ISBN:978-1443818599
Publication Date: 2010
Format: Hardcover
Availability: In Stock
List Price in USD: $67.99
Kathleen Starck is Professor of Cultural Studies at Osnabrück University, Germany. She was born and grew up in the German Democratic Republic. Her research interests include Cold War cultures, gender/masculinity studies, postcolonial studies, contemporary drama and post-socialism.
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The field of Cold War studies has recently undergone a cultural turn. Scholars from many disciplines outside – but increasingly also from within – diplomatic history have come to understand that, just as the Cold War was marked by a political and military competition, it was also characterised by a cultural one. As a result, it is now widely accepted that everyday culture was itself infused with political and ideological messages. The Cold War was ubiquitous.

In an attempt to comprehend this complexity of the superpower conflict, as well as the way it affected and still affects people’s lives globally, this collection of essays brings together the work of scholars from nine countries and a wide range of academic disciplines. They explore strategies, mechanisms and legacies of the Cold War in areas as diverse as film, propaganda, conspiracy theories, education, music, comic books, architecture, fiction, autobiographical writing and theatre.

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Between Fear and Freedom: Cultural Representations of the Cold War

Table of Contents

  • Preface and Acknowledgements
  • Introduction—Why Cold War Cultures Matter
    Kathleen Starck

FILM

  • The Rise and Fall of Socialist Realism in Polish Cinema (1949-1956)
    Jan Rek
  • East, West, and In-Between: Marginal Cold War Identities in Shadows in Paradise and Ariel
    Sanna Peden
  • Invasion Narratives and the Cold War in the 1950s American Science-Fiction Film
    Hilary Dannenberg
  • I Am Better Than You Are—Mad Politics and Hypermasculinity in Cold War Films
    Kathleen Starck

PROPAGANDA

  • Loving the Bomb: Cold War Audiovisual Propaganda in the United States
    Giorgio Signori
  • Soviet Active Measures against Pius XII
    Gérald Arboit
  • The Cold War and Propaganda, Ideology and Conspiracy Theories in the Middle East
    Matthew Gray

POPULAR CULTURE

  • Elvis Presley and McCarthyism—Rock’n’Roll and Paranoia
    Uwe Zagratzki
  • “Two Tribes”: The Cold War in Music Videos of the Mid-1980s
    Oliver Lindner
  • The Building Battle: Architecture in Cold War Berlin
    Marta García Carbonero
  • The New Super-Powered Conflict: The Cold War and its Legacy in Contemporary American Comic Books
    Matthew J. Costello

LITERATURE

  • Polarising Masculinities in a Cold War Discourse: Violence and the Male Body in Ian Fleming’s James Bond Series
    Jana Nittel
  • The Cold Facts? Caryl Churchill’s Mad Forest, Truth and the Demise of the Cold War
    Geoff Willcocks
  • Retrospective Anchoring of the Soviet Repressive System: The Autobiographies of the Latvian Intelligentsia
    Martins Kaprans

Notes on Contributors
Index

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